Daliah Lavi - teksty piosenek,teledyski @ can.rzeszow.pl

Daliah Lavi singing the hebrew version of her popular chart hit "Jerusalem" (ירושלים (Yerushalayim)). In October 2008 Daliah Lavi announced, that she decided to terminate her singing and acting carreer. In spring 2009 she returned on stage for the last time on her successful farewell tour throughout Germany. Here on youtube you can also watch some live clips that I shot in March 2009 during her concerts in Berlin, Leipzig and Hamburg.

Daliah Lavi Jerusalem דליה לביא‎ ירושלים Yerushalayim 1975 Herp Alpert screenfocus

Lyrics: Sympathy Now when you climb into your bed tonight And when you lock and bolt the door Just think of those out in the cold and dark 'cos there's not enough love to go round And sympathy is what we need my friend And sympathy is what we need And sympathy is what we need my friend 'cos there's not enough love to go round No, there's not enough love to go round Now half the world hurts the other half And half the world has all the food And half the world lies down and quietly starves 'cos there's not enough love to go round And sympathy is what we need my friend And sympathy is what we need And sympathy is what we need my friend 'cos there's not enough love to go round No, there's not enough love to go round.

Daliah Lavi דליה לביא‎ Sympathy 1971 Rare Bird screenfocus

Just wanted to put a better quality video up - only 2 pics, it's more about the song. Enjoy ~ xx

Jerusalem Daliah Lavi uplifter 1000

Daliah Lavi - Love's Song. Daliah Lavi recorded an English version of Liebeslied jener Sommernacht in 1970

Daliah Lavi Love's Song Liebeslied jener Sommernacht Nikopol 72

"Vielleicht schon morgen" by Daliah Lavi from the album Willst Du mit mir geh'n. Song by P. Ryan/M. Frances. This song's vocals were sampled on Jürgen Paape's "So Weit Wie Noch Nie" from the album Kompakt Total 3. This is a German language version of "Who Put the Lights Out?" written by Paul Ryan. Versions of the original English song were recorded by Barry Ryan and Dana.

world music schlager daliah lavi jürgen paape so weit wie noch nie eternaldirt

Daliah Lavi and the german Minister of Finance Peer Steinbrück interviewed in a german talkshow by host Reinhold Beckmann. (Part 1/3)

Daliah Lavi דליה לביא‎ Reinhold Beckmann Part 1/3 interview tv talkshow germany Asheville NC Israel singer actress screenfocus

Here are two classic songs performed by Mara Lynn Brown, chosen to underline the beauty of the wonderful Daliah Lavi. Daliah Lavi (born Daliah Lewinbuk in 1942) is an Israeli actress, singer and model. Born in Shavei Zion, British Mandate of Palestine, to a Russian father and a German mother, she studied ballet in Stockholm, Sweden, where she appeared in her first film: "Hemsöborna" (1955). Returning to Israel, her career took off properly in 1960, when she started appearing in a large number of European and American productions. Fluent in several languages, she has been in German, French, Italian, Spanish and English-language films. Lavi's film appearances include Vincente Minnelli's "Two Weeks in Another Town" (1962), Mario Bava's gothic classic "La Frusta e il corpo" (aka "The Whip and the Body", 1963), the role of The Girl in "Lord Jim", and the first Matt Helm movie "The Silencers" (1966) that starred Dean Martin and Stella Stevens. However, her most famous role is probably as The Detainer/007 in "Casino Royale" (1967) opposite Woody Allen. With the decline of her film career, Lavi began a successful singing career in Germany, with hits such as "Oh, wann kommst du?" and "Willst du mit mir gehn?". Enjoy Daliah Lavi's glamour!

Daliah Lavi johnxxx 20000

Daliah Lavi singing the popular poetic hebrew love song "Erev Shel Shoshanim" (Evening of roses). This song has been recorded in the year 1974 and was distributed worldwide on her album "I'm Israeli, I'm a sabra". In October 2008 Daliah Lavi announced, that she decided to terminate her...

Daliah Lavi Erev Shel Shoshanim דליה לביא‎ ערב של שושנים screenfocus

Daliah Lavi on her farewell tour live in concert at Friedrichstadtpalast in Berlin/Germany, performing the german version of Neil Diamonds classic song "Holly Holy" (german lyrics: Miriam Frances). Press commentaries about Daliah Lavis farewell tour 2009 in subtitles on the video. Musical director Dieter Falk. Band and chorus Dennis Hormes Thomas Simmerl Christoph Terbuyken Sebastian Cuthbert Bonita Niessen Katharina Debus. Management Wolfgang Kaminski. English translation of subtitles: Bremer Nachrichten - At the end of the show, this "grande dame" bows deeply to her audience, that cheers to her with standing ovations. Hamburger Morgenpost - Lavi proved very well, that once there was a thin line seperating Schlager, Pop and Chanson. Koelner Stadt Anzeiger - This deep, smoky voice, this very special timbre, this mysterious tempting accent, it's all still unique and unmistakable. Norsee Zeitung - Powerful voice in a fragile body. The audience at her concert at Glocke in Bremen wanted Daliah Lavi did not leave the stage. Stuttgarter Zeitung - And everyone wants to follow her. Abendzeitung Muenchen - As a mature beauty Daliah Lavi accomplished a successful final of her career. A ravishing present, dazzling looking 66 year old lady with a wicked smoky voice. Thueringer Allgemeine Zeitung - Singer and audience celebrated each other. 150 minutes full of lust on yesterdays songs. Rheinische Post - This "grande dame" of Schlagermusic says farewell to her enthisiastic audience <b>...</b>

Daliah Lavi דליה לביא‎ ישראל Israel Shavei Zion שבי ציון farewell tour Abschiedstour Germany Friedrichstadtpalast Berlin Holly Holy Neil Diamond concert Konzert live March März 2009 Dieter Falk Miriam Frances Wolfgang Kaminski Band Dennis Hormes Thomas Simmerl Christoph Terbuyken Sebastian Cuthbert Bonita Niessen Katharina Debus screenfocus

"Fever" was published on the long playing record "Sympathy" in 1971 and in German ("Fieber") on the LP "Daliah Lavi 2", also in 1971. The song was recorded by many singers, the most famous version is the one by Peggy Lee (1958). Composers are Eddie Cooley and John Davenport. Enjoy!

Daliah Lavi Fever English 1971 Fieber Rossini Fan

Daliah Lavi - Oh wann kommst Du 1970 Songtext: Montag, Dienstag, Mittwoch, Donnerstag, Freitag, Samstag, Sonntag jeder Tag vergeht ohne Ziel Für mich sieht der Sonntag wie Montag aus der Alltag ist überall zu Haus jeden Tag das selbe Spiel Vielleicht gibt es irgendwo einen Sinn und irgendwer weiß den Weg dorthin wo Liebe wohnt Weil Montag, Dienstag, Mittwoch, Donnerstag, Freitag, Samstag, Sonntag weil kein Tag ohne Liebe sich lohnt OOh, oh oh oh oh oh wann kommst du (uhhh) OOh, oh oh oh oh oh wann kommst du (uhhh) Wenn du gehn willst, lass ich dich gehen woran du glaubst, werd ich verstehn du kannst fragen, was du nie fragst alles sagen, was du nie sagst du kannst träumen, wovon du gern träumst und versäumen, was du gern versäumst wenn du treu sein willst, dann sei doch treu wenn du frei sein willst, dann bist du frei OOh, oh oh oh oh oh wann kommst du (kommst du) da dei da dei da dei da dam da di da da dei da dam da di di di dum la da di da da dadadam da dei da dei da dam da dei da di da dei da dam da di di di dam la da di da da dadadam Vielleicht gibt es irgendwo einen Sinn und irgendwer weiß den Weg dorthin wo Liebe wohnt Weil Montag, Dienstag, Mittwoch, Donnerstag, Freitag, Samstag, Sonntag weil kein Tag ohne Liebe sich lohnt OOh, oh oh oh oh oh wann kommst du (uhhh) OOh, oh oh oh oh oh wann kommst du (uhhh) Wenn du gehn willst, lass ich dich gehen woran du glaubst, werd ich verstehn du kannst fragen, was du nie fragst alles sagen, was du nie sagst du kannst träumen <b>...</b>

Schlager 70s IL DE Daliah Lavi Oh wann kommst Du 1970 fritz 5142

Daliah Lavi sings "If I could"; published in 1970 on her first long playing record "Liebeslied jener Sommernacht". In my opinion the best version of this song. Much better for instance than the one of Simon & Garfunkel ... Pictures in this video were taken in Munich on her Germany tour 1975

Daliah Lavi If I could El condor pasa 1970 1975 München Munich Germany English Englisch Rossini Fan

This tape was taken from an old vinyl-recording, so sorry for some scratches. It was originally performed by Cilla Black. It´s the story of an unloved child forgivin his mum. The lyrics´ very poetical and painful at the same time. And I had sorrow to my mind At the mother to her breast as still born child And of my nights I make black paper roses And to my afternoons I take fancy blues I loved the silver of your gold I loved the gentle of your day I loved the unexpected tender of your way I even loved the sudden winters of your may And of my nights I make black paper roses And to my afternoons I take fancy blues I watch and listen to their song Of how you loved me once But not for long Yet in your absence I would love you once again It helps to ease my mind and takes away the pain And of my nights I make black paper roses And to my afternoons I take fancy blues

Daliah Lavi Black Paper Roses Chanson Drei schwarze Rosen muschnik 1961

"Fool" was published in 1973 (on the long playing record "Let the love grow" and also as single), in German the song is called "Du" and was published on the LP "Meine Art Liebe zu zeigen", also in 1973. The song was composed by James Last. Elivis Presley sang it as well. Comics in this video are by Roy Lichtenstein.

Daliah Lavi Fool 1973 James Last English Englisch Rossini Fan

Daliah Lavi on her farewell tour live in concert at CCH in Hamburg/Germany, performing "C'est la vie" (lyrics: Dr. Michael Kunze) from her latest chart album and "Liebeslied jener Sommernacht" (lyrics: Miriam Frances), her first record in Germany in the year 1970. Musical director Dieter Falk. Band and chorus Dennis Hormes Thomas Simmerl Christoph Terbuyken Sebastian Cuthbert Bonita Niessen Katharina Debus. Management Wolfgang Kaminski.

Daliah Lavi דליה לביא‎ ישראל Israel Shavei Zion שבי ציון farewell tour Abschiedstour Germany CCH Saal1 Hamburg concert Konzert live March März 2009 c'est la vie Liebeslied jener Sommernacht Dieter Falk Miriam Frances Dr. Michael Kunze Wolfgang Kaminski Band Dennis Hormes Thomas Simmerl Christoph Terbuyken Sebastian Cuthbert Bonita Niessen Katharina Debus screenfocus

Daliah Lavi talks about her reasons to come back to Germany with a new album.

Daliah Lavi דליה לביא‎ interview german tv ARD Brisant 2008 screenfocus

Israeli actress & singer Daliah Lavi singing "Here's to you (Nicola & Bart)" in English, French and German. In October 2008 Daliah Lavi announced, that she decided to terminate her singing and acting carreer. In spring 2009 she returned on stage for the last time on her successful farewell tour throughout Germany. Here on youtube you can also watch some live clips that I shot in March 2009 during her concerts in Berlin, Leipzig and Hamburg. Here's to you Nicola and Bart Rest forever here in our hearts The last and final moment is yours That agony is your triumph ! Maintenant Nicola et Bart Vous dormez au fond de nos coeurs Vous étiez tout seuls dans la mort Mais par elle vous vaincrez! Was auch kommt Nicola und Bart Ihr habt Euch in uns aufbewahrt Euren Tod, dann sterben wir mit Und wir siegen Schritt für Schritt!

Daliah Lavi דליה לביא‎ Here's to you 1972 Sacco Vanzetti Justizmord judicial murder assassinio legale meurtre judiciaire Charlestown Massachusetts Arbeiterbewegung workers movement movimento dei lavoratori mouvement ouvrier 1927 elektrischer Stuhl electrocution sedia elettrica chaise électrique screenfocus

musik

daliah lavi schlager musik 60er 70er deutsch schnulze jajaliebhaber

Israeli actress and singer Daliah Lavi congratulates german showmaster Carmen Nebel on her 50th saturday evening tv show at Westfalenhalle in Dortmund on Nov. 12th, 2011.

Daliah Lavi דליה לביא‎ Willkommen bei Carmen Nebel Glückwünsche Dortmund Westfalenhalle 12.11.2011 showmaster Jubiläum 50 tv show zdf Germany screenfocus

Daliah Lavi - Liebeslied jener Sommernacht 1990

Daliah Lavi Liebeslied jener Sommernacht Schlagermusikgirl

Videoausschnitt von Daliah Lavi - Willst Du mit mir gehen

Daliah Lavi Schlager marquis

Daliah Lavi's talent for singing has been discovered in the year 1969 by an English record producer, who heard her unmistakable rosty voice for the first time in a BBC Show hosted by "Anatevka" Musical star Chaim Topol. By that time the israeli beauty appeared as a leading actress in numerous European and Hollywood cinema productions. In 1970 Daliah Lavi had her recording debut with "Best to forget", which has been released as the B-side of her better known chart hit "Love's Song". With this first single Daliah Lavi foundet her successful career as a pop and chanson singer, mainly in Germany, where she became the most popular female singer in the 1970 years.

Daliah Lavi דליה לביא‎ Best to forget screenfocus

Laurence Harvey, Lionel Jeffries and Daliah Lavi star in this spoof of international intrigue. Jeffries plays a British Counter Intelligence agent who persuades veterinarian Harvey to implant a microphone under the skin of a bulldog. The dog is to be a gift from Britain to the Soviet Prime Minister. Things go wrong when the dog gets sick in the care of the Soviets, and Jeffries, with the help of Harvey must travel to the Soviet Union to retrieve the microphoned dog before it is discovered. This is an unusual part for Laurence Harvey, best known for his serious films, here in a comedic role; and Lionel Jeffries, another fine British actor you may recall from First Men in the Moon.

Daniel Petrie Laurence Harvey Daliah Lavi Lionel Jeffries Eric Sykes British Comedy Spies spoof the SPY WITH A COLD NOSE modcinema

Musik liegt in der Luft 1991

schlager hitparade german deutsch Blue Silverstar

Daliah Lavi on her farewell tour live in concert at Gewandhaus in Leipzig/Germany. Musical director Dieter Falk. Band and chorus Dennis Hormes Thomas Simmerl Christoph Terbuyken Sebastian Cuthbert Bonita Niessen Katharina Debus. Management Wolfgang Kaminski.

Daliah Lavi דליה לביא‎ ישראל Israel Shavei Zion שבי ציון farewell tour Abschiedstour Germany Gewandhaus Leipzig concert Konzert live March März 2009 bonus medley standing ovations Auf dem Weg zum ich wollt nur mal mit dir reden Liebeslied jener Sommernacht Miriam Frances Michael Kunze Stevie Wonder Dieter Falk Wolfgang Kaminski Band Dennis Hormes Thomas Simmerl Christoph Terbuyken Sebastian Cuthbert Bonita Niessen Katharina Debus screenfocus

Daliah Lavi and the german Minister of Finance Peer Steinbrück interviewed in a german talkshow by host Reinhold Beckmann. (Part 2/3)

Daliah Lavi דליה לביא‎ Reinhold Beckmann Part 2/3 interview tv talkshow germany Asheville NC Israel singer actress screenfocus

Daliah Lavi and the german Minister of Finance Peer Steinbrück interviewed in a german talkshow by host Reinhold Beckmann. (Part 3/3)

Daliah Lavi דליה לביא‎ Reinhold Beckmann Part 3/3 interview tv talkshow germany Asheville NC Israel singe actress screenfocus

This song is a cover version. It was originally performed by The Beatles. Manchmal (Something) Written-By - G. Harrsion , M. Kunze

Daliah Lavi Manchmal Beatles Something Harrison Nikopol 72

Mul Har Sinai - Facing Mount Sinai -hebrew

Daliah Lavi Mul Har Sinai Facing Mount hebrew Israel Ein Kamel

Daliah Lavi - Let the love grow in your heart 1973

Pop 70s IL DE Daliah Lavi Let the love grow in your heart 1973 fritz 51322

Daliah Lavi - Schalt dein Radio ein

Daliah Lavi Schalt dein Radio ein multimediaheini

Sylva Koscina, Daliah Lavi, José Ferrer & Jean-Pierre Cassel dans un extrait du film "Cyrano et D'Artagnan", Abel Gance 1962

Extrait tarlait

Daliah Lavi - He's So Fine

Daliah Lavi cover Nikopol 72

This wonderful ballad "Lonely crowd" is part of Daliah Lavi's first english album "Daliah" published in the year 1970.

Dalaih Lavi לביא‎ דליה Lonely crowd 1970 ballad screenfocus

Daliah Lavi - Wer hat mein Lied so zerstört 1991 Original von 1970 Wer hat mein Lied so zerstört Ma Wer hat mein Lied so zerstört? Ich wollte singen Was ich niemals sagen kann Doch darauf kam es nicht an Ma. Wer hat mein Lied so zerstört? Wer hat den Sinn so verdreht Ma Wer hat den Sinn so verdreht? Jedes Wort das legten sie falsch aus Und dafür gab es Applaus Ma! Wer hat mein Lied so zerstört? Ich wünsche mir einen Traum - zum Träumen Ich wünsche mir einen Traum. Hätte je ein Traum mich froh gemacht Dann wär ich niemals aufgewacht Und fände mein Lied nicht zerstört. Ils ont change ma chanson Ma Ils ont change ma chanson. C'est la seule chose que je peux faire Et ce n'est pas bon Ma. Ils ont change ma chanson. Wer hat mein Lied so zerstört Ma Wer hat mein Lied so zerstört Ma? Ich wollte singen Was ich niemals sagen kann Doch darauf kam es nicht an Ma. Wer hat mein Lied so zerstört? Vielleicht werd' ich bald versteh'n Ma. Vielleicht sag' ich bald ok Irgendwann sind Tränen Triumphen gleich Dann bin ich wirklich reich Ma. Wer hat mein Lied so zerstört? Bald wird es Zeit zu versteh'n Ma Ma Bald wird es Zeit zu versteh'n. Würden alle Tränen dereinst zu Geld Wie reich wär' diese Welt dann Ma Ma. Wer hat mein Lied so zerstört? Bald wird es Zeit zu versteh'n Ma Ma

Schlager 70s DE Daliah Lavi Wer hat mein Lied so zerstoert 1991 fritz 5149

Daliah Lavi - Wär ich ein Buch 1973 Deutsche Version von 'If you could read my mind' von Gordon Lightfoot German version of 'If you could read my mind' by Gordon Lightfoot (1970) Wär' ich ein Buch zum Lesen, welche Art von Buch wär ich? Eins, das noch nie dagewesen, wäre ich ein Buch für dich? Oder legtest du nach dem ersten Satz die Story aus der Hand? Ein ungelesener Band, der dir niemals am Herzen liegt, weil sein Papier mehr als der Inhalt wiegt? Wär' ich ein Buch im Leben, würdest du mein Leser sein? Gäbe es kein Buch, dann eben wäre jede Seite dein. Bliebest du mir treu bis zum letzten Wort, wie immer es auch heißt? Auch wenn du es längst weißt. Ein Buch, das du von Neuem liest, in dem du dich oft selbst beschrieben siehst. Wirst du versteh'n, was ich sagen will, und nur zwischen den Zeilen steht, Was kein Satz verrät. Ein Buch, das mit dir weint und lacht, das dein Begleiter ist bei Tag und Nacht, mit dir träumt und mit dir wacht. Das Buch, das du manchmal haßt und liebst, das du mit mir schriebst, es wird mit dir enden. Jener Band, der Bände spricht, er verläßt dich nicht, wenn das Blatt sich wenden wird. Wär' ich ein Buch im Leben, würdest du mein Leser sein? Gäbe es kein Buch, dann eben wäre jede Seite dein. Bliebest du mir treu bis zum letzten Wort, wie immer es auch heißt? Auch wenn du es längst weißt. Ein Buch, das du von Neuem liest, in dem du dich oft selbst beschrieben siehst, seine Story kennst, die du genauso haßt wie liebst, die du mit mir schriebst <b>...</b>

Schlager 70s DE Daliah Lavi Wär ich ein Buch 1973 würdest du mein Leser If you could read my mind german version fritz 51223

for more visit : save-our-soles.blogspot.com

Daliah Lavi The Silencers 1966 feet soles arasoles

Daliah Lavi`s letzter Fernsehauftritt, im Gespräch mit Florian Silbereisen. Interview Teil 2 siehe Link: www.youtube.com ++ "Das letzte Lied" siehe Link: www.youtube.com ++ Aus der Sendung "Das Adventsfest der 100.000 Lichter", vom 28.11.2009. ++ Quelle: 1. Deutsches Fernsehen ++ HP: www.DasErste.de ++

Daliah Lavi letzter Fernsehauftritt Interview Teil 29 11 2009 phoenixcosma

La Frusta e il Corpo (Italian title) aka, The Whip and the Body, is presented in the original European edit with English dubbing, and letterbox aspect ratio. Also starring Luciano Pigozzi, Harriet White Medine, Jacques Herlin, Dean Ardow, Isli Oberon Original Music by Carlo Rustichelli Cinematography by Ubaldo Terzano WHAT, one of the oddest of horror movie titles, also contains a long list of almost all fake production credits. This film was seen little during its theatrical run, and appeared on American television in 1964 heavily edited, but still controversial partially due to the choppy editing. WHAT features the distictive artistic perspective of director and special effects maestro Mario Bava, and ranks among his most picturesque and tense films of the 1960s. You can also witness his artistry in such recently re-acclaimed gems as PLANET OF THE VAMPIRES, BLACK SABBATH, THE GIRL WHO KNEW TOO MUCH, BLACK SUNDAY, KILL BABY KILL, HERCULES IN THE HAUNTED WORLD, and BARON BLOOD.

a bay of blood baron blood Gothic classic horror cult classic s&m hammer film ghost story italian cinema romance monster josh

La Frusta e il Corpo (Italian title) aka, The Whip and the Body, is presented in the original European edit with English dubbing, and letterbox aspect ratio. Also starring Luciano Pigozzi, Harriet White Medine, Jacques Herlin, Dean Ardow, Isli Oberon Original Music by Carlo Rustichelli Cinematography by Ubaldo Terzano WHAT, one of the oddest of horror movie titles, also contains a long list of almost all fake production credits. This film was seen little during its theatrical run, and appeared on American television in 1964 heavily edited, but still controversial partially due to the choppy editing. WHAT features the distictive artistic perspective of director and special effects maestro Mario Bava, and ranks among his most picturesque and tense films of the 1960s. You can also witness his artistry in such recently re-acclaimed gems as PLANET OF THE VAMPIRES, BLACK SABBATH, THE GIRL WHO KNEW TOO MUCH, BLACK SUNDAY, KILL BABY KILL, HERCULES IN THE HAUNTED WORLD, and BARON BLOOD.

Gothic romance sado-masochism s & m revenge hauntings ghosts italian cinema cult film b-movie classic horror castles hammer film peter cushing euro horror monster josh

Purif, young peasant of the South Italy, is considered from the people a possessed one and a witch. All of the village is hostile to its activity magical and sorceress. The girl will be preserve from the community, undergoing a tragic and violent death. Erotic ethnology: one of the most interesting italian movies of the '60s.

IL DEMONIO THE DEMON DALIAH LAVI BRUNELLO RONDI EXORCIST mrsalzano

La Frusta e il Corpo (Italian title) aka, The Whip and the Body, is presented in the original European edit with English dubbing, and letterbox aspect ratio. Also starring Luciano Pigozzi, Harriet White Medine, Jacques Herlin, Dean Ardow, Isli Oberon Original Music by Carlo Rustichelli Cinematography by Ubaldo Terzano WHAT, one of the oddest of horror movie titles, also contains a long list of almost all fake production credits. This film was seen little during its theatrical run, and appeared on American television in 1964 heavily edited, but still controversial partially due to the choppy editing. WHAT features the distictive artistic perspective of director and special effects maestro Mario Bava, and ranks among his most picturesque and tense films of the 1960s. You can also witness his artistry in such recently re-acclaimed gems as PLANET OF THE VAMPIRES, BLACK SABBATH, THE GIRL WHO KNEW TOO MUCH, BLACK SUNDAY, KILL BABY KILL, HERCULES IN THE HAUNTED WORLD, and BARON BLOOD.

Gothic romance sado-masochism s & m revenge hauntings ghosts italian cinema cult film b-movie classic horror castles hammer film peter cushing euro horror monster josh

Hitparade 1994

schlager german deutsch hitparade Blue Silverstar

La Frusta e il Corpo (Italian title) aka, The Whip and the Body, is presented in the original European edit with English dubbing, and letterbox aspect ratio. Also starring Luciano Pigozzi, Harriet White Medine, Jacques Herlin, Dean Ardow, Isli Oberon Original Music by Carlo Rustichelli Cinematography by Ubaldo Terzano WHAT, one of the oddest of horror movie titles, also contains a long list of almost all fake production credits. This film was seen little during its theatrical run, and appeared on American television in 1964 heavily edited, but still controversial partially due to the choppy editing. WHAT features the distictive artistic perspective of director and special effects maestro Mario Bava, and ranks among his most picturesque and tense films of the 1960s. You can also witness his artistry in such recently re-acclaimed gems as PLANET OF THE VAMPIRES, BLACK SABBATH, THE GIRL WHO KNEW TOO MUCH, BLACK SUNDAY, KILL BABY KILL, HERCULES IN THE HAUNTED WORLD, and BARON BLOOD.

Gothic romance sado-masochism s&m revenge hauntings ghosts italian cinema cult film b-movie classic horror castles hammer film peter cushing euro horror rome pendulum brandenburg patrimony monster josh

"Ma avarech" (What shall I bless him?), sung by Daliah Lavi in 1975. This is a song about young people, who die in wars. It has been released on Daliah Lavi's international distributed hebrew album "I'm Israeli, I'm a Sabra". In October 2008 Daliah Lavi announced, that she decided to terminate her singing and acting carreer. In spring 2009 she returned on stage for the last time on her successful farewell tour throughout Germany. Here on youtube you can also watch some live clips that I shot in March 2009 during her concerts in Berlin, Leipzig and Hamburg. Phonetic Hebrew lyrics: Ma avarech? Ma avarech lo bame yevorach Ze hayeled sha'al hamal'ach Ma avarech lo bame yevorach Ze hayeled sha'al hamal'ach Uverach lo chiyuch shekamohu ka'or Uverach lo enayim gdolot vero'ot Litfos ban kol perach vechai vetzipor Velev lehargish bo et kol hamar'ot Ma avarech lo bame yevorach Ze ha'nar sha'al hamal'ach Ma avarech lo bame yevorach Ze ha'nar sha'al hamal'ach Uverach lo raglayim lirkod ad ein sof Venefesh lizkor ba et kol halchanim Veyad ha'osefet tzdafim aley chof Ve'ozen kshuvali gdolim uktanim Ma avarech lo bame yevorach Ze ha'elem sha'al hamal'ach Ma avarech lo bame yevorach Ze ha'elem sha'al hamal'ach Uverach ki yadav halmudot bifrachim Yitzlechu gam lilmod et otzmat haplada Veraglav harokdot et masa hadrachim Usfatav hasharot et miktzav hapkuda Ma avarech lo bame yevorach Ze ha'gerev sha'al hamal'ach Ma avarech lo bame yevorach Ze ha'gerev sha'al hamal'ach Natati lo kol she <b>...</b>

Dalaih Lavi לביא‎ דליה Ma Avarech מה אברך Anti War screenfocus

Daliah Lavi - C'est la vie - So ist das Leben (26.10.2008)

Daliah Lavi C'est la vie So ist das Leben Schlagermusikgirl

La Frusta e il Corpo (Italian title) aka, The Whip and the Body, is presented in the original European edit with English dubbing, and letterbox aspect ratio. Also starring Luciano Pigozzi, Harriet White Medine, Jacques Herlin, Dean Ardow, Isli Oberon Original Music by Carlo Rustichelli Cinematography by Ubaldo Terzano WHAT, one of the oddest of horror movie titles, also contains a long list of almost all fake production credits. This film was seen little during its theatrical run, and appeared on American television in 1964 heavily edited, but still controversial partially due to the choppy editing. WHAT features the distictive artistic perspective of director and special effects maestro Mario Bava, and ranks among his most picturesque and tense films of the 1960s. You can also witness his artistry in such recently re-acclaimed gems as PLANET OF THE VAMPIRES, BLACK SABBATH, THE GIRL WHO KNEW TOO MUCH, BLACK SUNDAY, KILL BABY KILL, HERCULES IN THE HAUNTED WORLD, and BARON BLOOD.

Gothic romance sado-masochism s&m revenge hauntings ghosts italian cinema cult film b-movie classic horror castles hammer film peter cushing euro horror rome pendulum brandenburg patrimony monster josh

Purif, young peasant of the South Italy, is considered from the people a possessed one and a witch. All of the village is hostile to its activity magical and sorceress. The girl will be preserve from the community, undergoing a tragic and violent death. Erotic ethnology: one of the most interesting italian movies of the '60s.

IL DEMONIO THE DEMON DALIAH LAVI BRUNELLO RONDI EXORCIST FRANK WOLFF mrsalzano